Wednesday, February 22

saying that something is as easy as taking candy from a baby is awful. unless said baby is choking, why would you take candy from it? there are some sick fucking people in the world.

speaking of sick, I've been there. coughing my fool head off for a week, but I'm finally starting to mend.

(for want of anything better to say at the moment, some pretentious indie babble. so stop reading here if you don't care about music, you damn heathen)

the verdict is in on the life pursuit. this is a remarkable album. it comes across as a synthesis of all that they've accomplished thus far. the elements of kitsch and whimsy evident on dear catastrophe waitress are all here, combined with the introspective lyrical aspects of the band's earlier work. overall the sound is light and peppy, but don't be fooled: there's depth, and then some. it isn't my favorite record of theirs (will tigermilk ever really be trumped?), but it's a gem.

however, it's even easier to gush about rabbit fur coat, from jenny lewis (of rilo kiley) and the watson twins. have mercy. each rilo kiley record has had echos of a vintage country sound, one that lewis' voice is well suited to. rabbit fur coat is positively steeped in the kind of c & w that would make patsy cline feel proud. it sounds like ole jenny is finally doing what she's always wanted. the production is so clear and sharp she could be singing just over my shoulder. on rilo kiley albums (though I love em all) I've noticed that she tends to strain her vocals sometimes, making what could be sweet notes sound forced and harsh. here, she's consistently melodious and natural. stock up on kleenex, get a six pack of your fave american beer, and settle in with this one.